Before posting stuff online, please consider reading this

Instead of venting and having inappropriate reactions following Celeste Melancholia’s channel termination, I decided to take a more refined care of that problem (and I may have good news regarding that incident, as I can now say here that her work isn’t lost and is currently in a safe place). I’ve been on the web for so long (since 2000-2001) to have witnessed all sorts of behaviours concerning posting content on the web, might it be a simple post on a message board, a drawing, an entire website, videos on Youtube, or even pointless and rubbish comments.

It’s time for me to expose my views on the topic after thinking about it for so long. There had been a lot of behaviours that I considered myself inappropriate from either creators or simple viewers but also felt my own views were somewhat wrong. Then those behaviours became more and more common until they harmed quality content I really enjoyed (see my awkward venting about The Maid who leapt through time and it’s author Shin-Chan, on Twitter and /jp if you’re courageous). I also decided to have even more hindsight on that topic and stop categorizing an entire batch of people because of the behaviour of only a tiny portion of them.

What you’ll read here is the continuation to a post a I originally posted on Reddit (/r/touhou). I chose to post it here in order not to clutter my original post and stay on-topic. Here’s the post in context:

Again, this is a personal view, and you don’t have to agree with it. I also think artists themselves can be over-possessive, over-reactive and may not have enough hindsight. They just think “hey, it’s cool I’m gonna share my work online!” only to discover that the web isn’t the bright place they thought it was and there are a ton of things and behaviours they forgot to consider. The ones who post stuff only to delete it only 2 months later are the worst in that regard (they often hide their decision behind so-called “personal reasons”). Posting stuff online is indeed a responsibility, either you’re a creator or just an annoying reprinter. Some discover that way too late and can’t handle their presence on the long term very well.

To reprinters: Please don’t underestimate the side-effects of reprinting (or simply borrowing) someone else’s work, even if you credit him/her and add your own valuable work on top of it. You never know how the author’s going to react to it (some take it well, but some will over-react negatively as I mentioned earlier). I know that because I ventured myself, and regretted it afterwards. Some well known and talented artists also ventured and they bit the dust because they mistakenly thought “it’s okay as I’m myself an artist too”. Also, don’t be rude to artists, even if they react negatively. They have their rights to do so, as their work belongs to them first, and they surely don’t want it being taken out of their hands, especially if they’re trying to make a living of their works and you offer them for free. Having one’s approval is the best way to reprint one’s work, as the author will clearly know who will reprint it and where it will be reprinted. This settles good terms between the author and the reprinter. Please don’t go against their will if you get a negative answer from the author regarding reprinting, as this is even worse. You may upset the author even more and push him/her into rushed decisions. Having their work getting out of their control is something most artists hate dealing with. Keep that in mind before ignoring their refusal to your reprint request.

The best example of this is the Touhousubs Youtube channel. Its owner always asks permissions first, and always keeps an eye over possible copyright reclamations from third parties. Also, every reprinted work that generates more views than the original submission from its original country is systematically made unlisted, in order to encourage viewers to access playlists instead and give more visibility to the original work. I also like his approach in always encouraging his viewers to support original creators on their original place, in order to give them good habits. Thanks to him, I now systematically follow authors I like, mylist (fave) and throw ad tickets to works I enjoy on Nico Nico Douga. That’s the best way in maintaining a reprinting channel (which has a good reason to exist, as it offers translations of Touhou fanworks in English and sometimes other languages) in the long term. On the total opposite, I find Reddevils500’s approach very questionable and even harmful, as it seems to be based on solely self-exposure and opportunism. It also infantilizes its viewer base by giving them very bad habits. For me, Reddevils500’s channels represent everything I dislike about reprinting, inciting to do everything you mustn’t do.

To creators: Pay a closer attention to how the web works. Think twice before sharing your works online. Don’t hesitate to ask friends or people you know about it. Be prepared of what your works will generate if they ever have success. Think about the long term. Think about possible frustration from viewers you may trigger if you delete your works, even if you consider them minor (they may have unseen, peculiar qualities or potential which you were unable to notice from your creator’s own view). Consult your friends or people you know well again before you decide to do so, or before any potential rushed decision. You will experience good but also bad things during your “web carieer”, as I said the web isn’t as bright as one think. There will be times when you’ll lose your lucidity and not have appropriate reactions to delicate situations (people abusing your kindness and asking too much requests, unfair criticism, offending comments, harassment, wild unauthorized reprinting, content theft, etc.). At some point you may wonder if you’re not simply way too implicated for what was supposed to remain a mere hobby. And that’s the key, distancing one’s self from all that can help. This will help you remaining productive (perhaps much less than before) while retaining hindsight and keeping one’s head clean and straight. You may find yourself starting all over something from scratch whereas it was probably not that bad in the first place but your biased or disconnected perception made you think otherwise. That’s why it’s important not to start announcing things or scheduling projects when you’re not sure of yourself, or even of their completion. This will add even more frustration to your viewer base who will wonder what the heck you’re doing and why you’re not respecting your planned completion dates. This is again an indication of needing to distance oneself and put things in perspective again. Also, a viewer can sometimes see things in your creations that you’re not able to see yourself (strengths, weaknesses, etc.). Last thing, not all viewers are bad or brainless idiots. Viewers are as important as your work itself as they can influence your creativity in a good or a bad way. So definitely don’t overlook or disconsider them.

To viewers: Keep in mind creating is a “time, motivation and energy”-consuming process that sometimes disconnects you from real life. An artist can’t be 100% focussed on his art all the time, as (s)he may have a busy life or may live from his/her art or content directly, biasing even more his/her views towards separating hobbies and work. Again, don’t be rude to artists, even if they fail to handle their long term presence or if they become unproductive. You may be a finer critic to one’s work than the author him/herself but it’s because you’re simply a viewer. Busy artists can sometimes “screw up” because they have been gradually disconnected. That’s the sign of needing a break and having to be more realistic. As a viewer, while you may complain why your favourite artist stopped producing stuff/underwent a radical style change/stopped doing art of your favourite character or franchise/can’t continue his series anymore/is unable to meet expected completion deadlines, you have to consider all the above (plus some bits I wrote into the “creators” paragraph). The energy and time creators use (or waste, some would say) to create can disconnect them and remove a part of their lucidity and their perception of time. Instead of sounding rude, upset and annoyed, remain nice to your artist if you are ever to contact him/her about his situation. Because of the energy spent in creating, one can become over-sensitive and prone not to react properly. Also, while remaining nice, show the author that you’re actually interested in what (s)he does and emphasis the unique or peculiar qualities of one’s work, comparing it to others and show him/her how his work is valuable and that his/her works are missed.

Note: You may have noticed that I added things to that post along the way, when they finally came to mind. I may still add other things or points I forgot about if they ever come to mind regarding the topic. As you also noticed, this is far from being straightforward topic and I recommand to think more than twice if you ever have to deal with related issues. It’s not an all-black or all-white topic and there’s no evil or hero. This is perhaps one of the most complex issue since the creation of the internet and we’ll always find people falling into the trap and not reacting properly regardless of the category they belong to.

19th MMD Cup – My selection

MMD Cups. It’s been almost a decade (since 2009 I think) that every half-February and half-August, we are granted with a bunch of MMD videos made according to a selection of themes and acting as a vitrine of what each participant has best to offer. Each time, we have our bunch of amazing videos but also disappointments and people who give up or post their entry much much later (sometimes a year later for what was supposed to be completed within a month). Also the opportunity to see how the current trends are going and who are those among MMDers we will have a chance to discover as future gems or simply mere opportunists who intentionally only shine on MMD cups. What does this edition has to offer this time? Is MMD still going strong? Or is it still on its slow decline? This is what I’ll try to find out through the selection I made below.

Before getting into the topic, the selection below is far from complete and only reflects my own interests or entries that in my opinion have some particularity that make them worth watching.

Personal crush:

By けぜめ. This is the sensation of this cup. Finally an MMD dogfight which doesn’t look like a mess. From an author who came a pretty long way (even though he deleted his previous videos, but you don’t miss anything if this comforts you*). Almost comparable to MinusT to some aspects. I like how he doesn’t waste resources in adding unnecessary elements and only focusses himself on the dogfight (perhaps a bit to much some might add). I hope he won’t screw up in the future and he’ll keeps things more or less that way.


Indeed, the sensations are always in opportunist genres I’m not interested at all. As if the MMD scene always want to troll me. But we have a particularity this time.

By +⌒o⌒+ (or SUWAWA). This looks like a reprise of KamS’ animation but in MMD. This is one of the few videos that I suspect of having “cheated”. What do I mean by that? Well, if you go to Nicolog ( and observe the progression of views and mylists, you can notice a “pH-jump” at a certain time, meaning something not normal occurred that boosted its popularity (in fact, you’ll not be able to see it as all stats before August 24th vanished!!). Touhousubs pointed me to the “クッキー☆” and “SWK is GOD” comments the video got. But I do have another assumption. At some time I suspect SUWAWA to have bombed his own video with ad tickets, which obviously made its popularity climb like crazy. You can at least go here, as an alternative in order to observe this phenomenon better (all data since its upload on August 18th is there, and you can even see ad ticket points):

By MSK. Was supposed to be a mere unassuming and rather cheesy sounding full voice MMD. It’s got nice moods, the performances can bring a smile but aren’t particularly bad either and the story looks rather pointless. So, nothing to be amazed of, except if you absolutely want to hear your 2hus for once. However, numbers prove me wrong again. The other case of pH-jump:
But wait, there are 2 of them! One on August 22nd and another one on August 29th!! To say I’m rather baffled is an euphemism. This one also got “クッキー☆” (unavoidable on those kind of videos) and “SWK” comments.

Other mentions:

By aaaaah. Ah yeah. That video showcasing ray-casting effects in MMD. Nice atmosphere and inspiring. If you like those and are desperate about finding some (the genre is underrepredented and plagued by MMDers giving up and dropping motivation), you’ll like it.

D-2‘s entry. Hit or miss, as usual with him. Personally, I think he saw much better days. But you might like it anyway. It’s a bit like a horror short with the KanColle cast. Can have its charm. However, the Voiceroid voices might make you cringe if you happen to not like them.

By のりタマ, HIEI LOVE series. Still works pretty well and pretty classy. One of the last remaing KanColle MMD efforts that don’t feel rushed or lazy. Probably an indicator that the tide is turning among KanColle MMDs (the only ones remaining being the countless rubbish picture-card shows, as always).

MMD band edition with many franchises covered.

Melfy-chan is back again for some new SoL silent shorts. Lacking a bit originality and inspiration over the years but still nice to watch.

Another day at the SDM series. Again, a series which I feel it loosing its appeal over time. Can be still nice to watch if you like the series. Note the appearance of Sobakasu Patchouli.

ZX Tech‘s 2D maze series. I’m not really into it because of the yukkuri voice and its tone but you may like it if you happen to follow this guy.

Vocaloid is alive!

Well, for those who’ve been watching MMDs for very long, you’re still tempted to believe that Vocaloids are still a thing with MMDers… despite being completely abandoned by the scene since competing franchises such as KanColle and Touken Ranbu made their apparition between 2013 and 2015.

By まく. VOTOMS ANOTHER series. Mechas and Vocaloid. A it bland some might think, but it’s nice to it ongoing.

Pat Labor and Vocalo/Utau-loids

By 南瓜のたね. Slice of life and Vocaloids. Even though Vocaloids are being forgotten the rest of time (which is a shame, really), it’s nice to see them make a resurgence at least during MMD cups.

Same vein. Rin with mini-Miku.

Completely underrated and overlooked. Some kind of battle MMD. Looks cheap but remains enjoyable. For those who like those kind of amateurish-looking MMDs that still manage to do their job while not crapping.

Other chosen bites:

By ロットん. Pretty neat and accurate reproduction of a scene from Fast and Furious 8, down to small details and sequences (note: I didn’t watch the movie). I’m personally not into those kinds of MMDs because they don’t inspire me or talk to me (I prefer original efforts rather than mere reproductions). But if you like them or enjoyed that movie, you’ll like this one.

Miku exploring a rollercoster (!), mix with MMD and photographs

By マスク・ザ・春原. Kemono Friends bandwagon. I sincerely preferred when this MMDer did his nice street performance videos.

By 雲雀13. Random 2hu+Daddy series. This time, Daiyousei and Daddy. Chatty, so you’ll need knowledge of Japanese to full enjoy. Otherwise nice shading and use of filters to attempt an atmosphere.

By ジョー. Hmm… what the hell is this? Someone trying to embrace full animation and discarding yukkuri voice to see if it works well. Well, when it just ends in chattiness only and nothing special writing-wise, it won’t look magically more appealing. Might work if you have knowledge of Japanese and happen not to like yukkuri voice.

Mujin‘s underrated mini-drama series with PMCA characters. Hit or miss. Might like if you happen to like Mujin’s works.

By 秦々. Marisa’s mushroom picking adventure. This is a silent short, or rather something that wants to look like one. This is pretty enjoyable and may give you a smile, in addition to be pretty nice visually. However, his narrative style and constraints are way too obvious, making it look just on par with 霧雨あろえ/ぱにょぺらんP‘s shorts. It looks like only Clover (or クローバー) seems to be at ease with this particular silent format. At least, this MMDer did experiment all possible narration styles by now (unfortunately not being particularly efficient in any of them).

In conclusion, to be honest, this MMD cup confirmed what I saw during the MMD drama festival and had let me quite unsatisfied. From what I saw, we had less participations than usual, and most importantly a lot less killer videos. Last year we got very nice surprises, especially in the full voice department. This year, for example, full voice attempts were hardly noticeable. Not even Kemono Friends raised the bar. Still we had our share of nice videos (this is what this post showed, and there’s a lot missing or that I omitted). Indeed, it can happen that some MMD cups could be less rewarding and with narrower content from time to time. But I still feel the tide definitely turning. Trends are what they are and I suspect the average Japanese otaku of today tending to spend less and less time on home computers and perhaps more time on mobile devices. Which means indeed less time for creative hobbies. Indeed, no MMDer will have the gut or naivety to acknowledge that, as they all know it’s a pretty rubbish reason, but I guess they tend to become like me and don’t see time flying. Just seeing how most MMDers are struggling to complete relatively ambitious and promising efforts seems to confirm that (if not scrapped or abandoned, plaguing some promising series and sometimes entire genres ending up deserted). Seeing a part 2 of some elaborate MMD drama taking more than 12 months to complete (which is more than a Fantasy Kaleidoscope episode, may I remind you!), a typical viewer fan of MMDs is indeed tempted to ask him(her)self questions. What I observed on the other hand is the migration to shorter formats or “Twitterisation” of MMD. Now, instead of series we have more short single efforts MMD drama-wise. Real talents are not considering MMD anymore (or rarely) limiting the number of groundbreaking efforts. We have a lot (perhaps too much) test videos or just glimpses of some gag or action scenes. More in the vein of what we see on Twitter. That’s a bit unfortunate, but the tide can turn back at any moment if you’d like some hope.

And finding the excuse of “we’re not producing for those filthy passive and lazy viewers” is just too easy. If not the viewers, who’s going to support you, encourage you, give you feedback or help you when you begin to lack perspective on your own art and are prone to screwing up? The view of a non-artist can be as important as the creator’s one as the former can have a foreign and unbiased view about a certain work. Also, viewers can be experienced on their own after seeing many works and being familiar with great things, great ideas, various styles but also mistakes artists tends to do and the bad or good habits they can have. Because someone isn’t creating shouldn’t mean (s)he should shut up. How could literature, cinema and music critics exist if there weren’t “viewers” who are not always creating themselves? For me, viewers are as important as the works themselves, as they help the creation process in their own way. So, a message to MMDers, especially the ones who have been acting very carelessly those last few years, don’t look down on your viewers simply because they’re not creating. By your careless attitude, you’re only generating frustration and disappointment among them and giving yourself a pretty bad image. You also give the MMD scene a poor image of immature and irresponsible people. Not having time anymore or having more important worries are indeed a perfectly valid reason for not creating or losing contact. Indeed, as a hobby, it is perfectly normal that an artist can have a break, be in a hiatus or simply in lack of inspiration resulting in long period of inactivity. But when you disappear and don’t tell anything (especially when you have ongoing efforts), how are we supposed to know? Only a few had the decency to confess they can’t produce anymore because of their tight schedule. Only a few apologize when they are late or for their slowness. Some of them post progress from time to time which i find very nice. I really wish MMDers were less careless especially when they have awesome potential they don’t seem to be aware of. In this case, it is the viewer’s job to tell him/her and unfortunately viewers don’t do that because they don’t want to hurt or put pressure. But sometimes, that might be necessary. It also shows that you’re actively interested in what certain artist does and not simply passively watching.

It may be better for me to end my conclusion here as it is getting way too long and starting to get polemical and that might not be a good thing. Indeed, my view is certainly biased and jaded on its own as the MMD scene is still pretty rich in content, even nowadays (2017). But I feel we are lacking the variety and enthusiasm of the early days. I hope one day that I can be proven wrong and that MMD today isn’t just copycat dance videos, lazy picture card shows or (often rubbish, but with some gems) yukkuri-voiced comedies.

Rebooting a Mac Mini after power loss, but my way

tl;dr: On the incriminated A1347 Mac Mini, I found the command to be “setpci -s 0:03.0 0x7b.b=20“. Then you need a way to make it sticky (add it at startup).

For work, I’m currently experimenting setting some kind of mail alert system when one of our UPS units stops receiving power after an unexpected outage and decided to install Intelligent Power Protector from Eaton on an A1347 Mac Mini running Debian Wheezy (the UPS unit plugged to it via USB is a Protection Station 800). Why a Mac Mini? Because we have plenty at work that became useless and outdated. They’re also lightweight, easy to move and easy to set up.

Unfortunately, Intelligent Power Protector only sends emails through SMTP port 25 and you can’t change it. Intelligent Power Manager on the other hand can send through another port but can’t be installed on Linux. So the only way I found is to install Intelligent Power Manager on a Windows machine and that will trigger email alerts when the Mac Mini loses power, if Power Manager is correctly seeing the Mac on the LAN.

Now I need the Mac Mini to be able to automatically restart when power comes back. For that, I read many things on that topic and many possible solutions and indeed, none of them worked. Instead I used an approach similar to the one in that post:

So what I did is grabbing another identical Mac Mini (an A1347 from 2010) still running Mac OSX. Then I installed the LSPCI port for OSX:

Once it’s installed and after rebooting, I get this when typing “lspci” on a freshly opened Terminal:


Hmm, that tells me we have nVidia devices but I can’t see where is my LPC device or ISA bridge (responsible for the function I want in my case). So going back to the Debian Mac Mini, let’s run lspci from there by typing “lspci | grep LPC”. I’m now getting this:

root@debmacmini:~# lspci | grep LPC
00:03.0 ISA bridge: NVIDIA Corporation MCP89 LPC Bridge (rev a2)

Okay, that looks more like what I wanted. This confirms that on NVidia-equipped Mac Minis, the ISA bridge is located at 00:03.0 and not 00:1f.0 (like it is for Intel chipsets). So I know now where to look at.

Now going back to the Mac OSX Mac Mini again, let’s open Energy saver settings from the “System Preferences” window (Click on the apple, then “System Preferences”) and check that the value for “Start up automatically after power failure” isn’t ticked. Now on the Terminal window still opened, let’s type “lspci -s 00:03.0 -vvvxxxx > before-setpci.txt”. That will write the result of the lspci command into the before-setpci.txt file:


Now, let’s tick the “Start up automatically after power failure” option and then type “lspci -s 00:03.0 -vvvxxxx > after-setpci.txt” afterwards:


Now we need to compare the files. Before doing so let’s clean them up. When you open both of them, there’s a lot of info going on:

before-setpci after-setpci

Remove all the bits before “00: de 10 80 0d 0f 00 a0 00 a2 00 01 06 00 00 80 00” (that means removing “Region 0: I/O ports at 2100” and all lines above) and after “f0: 00 78 00 fe fd 00 00 00 10 00 80 80 00 00 00 00” for both files and save them. This is what we should have:

before-setpci-edited after-setpci-edited

Now we can compare them by typing “diff before-setpci.txt after-setpci.txt”:


As you can see, only one byte have changed at location 0x7b and went from “60” to “20”. So we now know that you must change that byte to “20” in order to get that auto-reboot after power loss on an A1347 Mac Mini not running Mac OSX.

So, going back to the Debian one, I simply type “setpci -s 0:03.0 0x7b.b=20” to set the value. Then check that the value is correctly set by typing “setpci -vD -s 0:03.0 0x7b.b”:

root@debmacmini:~# setpci -s 0:03.0 0x7b.b=20
root@debmacmini:~# setpci -vD -s 0:03.0 0x7b.b
0000:00:03.0 @7b = 20

Now let’s yank out the cord out of the Debian Mac Mini. Wait a bit and put the cord back in. Bingo! It restarts! Yay!… Yay? Okay, let’s find out if our setting remained by typing “setpci -vD -s 0:03.0 0x7b.b” after the Mac has restarted. Uh-oh… It turned back to “60”. It looks like we need to have the command executing itself each time the Mac boots up to make the change permanent. So let’s edit /etc/rc.local (for a Debian system) and add that “setpci -s 0:03.0 0x7b.b=20” to it, like this:

#!/bin/sh -e
# rc.local
# This script is executed at the end of each multiuser runlevel.
# Make sure that the script will "exit 0" on success or any other
# value on error.
# In order to enable or disable this script just change the execution
# bits.
# By default this script does nothing.

setpci -s 0:03.0 0x7b.b=20
exit 0

On that Mac Mini, I installed vim. So to edit it, I simply typed “vim /etc/rc.local”, pressed the [Inser] key to be in edit mode, typed my command above “exit 0” and then exited vim by typing [Esc] then [W] then [Q]. Just to be sure, I ran my command once again and yanked out the cord. Put it back and Bingo! And this time for real.

For those using a Mac Mini as a server running Debian or Ubuntu Server or whatever and wants to restart automatically after a power outage, I hope this has been helpful.