Review, final part – The Sealed Esoteric History -moon- (秘封活動記録-月-) – personal verdict and some thoughts


The Sealed Esoteric History -moon- (秘封活動記録-月-) review, final part (personal verdict and some thoughts)

Really good days for both animation and Touhou lovers

We are in a point of time that has never been so good if you’re looking for Touhou animation. We now have three series which all have their own imprint (on top of them you can add Sound Holic’s PVDs and Touhou M-1 Grand Prix and some other less major efforts). Let’s detail what I don’t like with A Summer Day’s Dream. The overall tone, the pet-like characters, all that laziness and shortcuts to fill in the time and space along with the really slow pace and completely silly plots. I can’t understand how can some of you consider it as “better”. It sure has entertainment value, with the really lovely voice acting that drives most of its tone (I really like what some seiyuu do to the characters by improvising a bit) but some of the voices are just… no.

Memories of Phantasm set a new mark or standard for Touhou animation. Allying efficiency with rapidity and unmatched care in both art, animation and sound departments. However, its target is clearly pure entertainment and a cartooney, light tone to appeal the highest number of potential viewers. It also allows itself some obvious liberties by incorporating questionable elements and not really focussing enough on storytelling. They are, at Manpuku Jinja, in a more “let’s just enjoy ourselves as that’s what really counts, as we’re over the top anyway” approach than others. Maybe they’re right after all. What I like the most is the audacity of not wanting to include voice acting. You would not see that in traditional and commercial TV animation. Ever! Yet, not only Touhou allows you to transcend the rules seen in the industry and art schools but it can also prove it can work if done more or less properly. In fact, Memories of Phantasm is a concentrate of really well thought and smart compromises when thinking about it and stepping back. Also… yes, I myself do prefer Touhou derivative works (and some other fan productions) to be unvoiced. That’s an aesthetic and personal preference (I also find characters to look a lot cuter that way, especially considering it’s an all female cast, don’t ask me why).

Now our lovely OVA from Kyoto Fantasy Troupe. Truly one of the nicest surprises of 2016. I really like how it tries to compensates for Memories of Phantasm caveats by focusing on storytelling and going easy with gags, grimaces and fan service. For a first attempt, I consider it as truly astounding. Gone are the days of that dodgy attempt Sound Holic offered us in late 2007. Some awkwardness is inevitable but I think it coped very well.

Now, my personal verdict

The moment everybody is waiting for. Do I consider this as better than Memories of Phantasm? The answer I’m going to give may surprise you or make you jump. I’m sorry, I just can’t distance myself from my usual anti-conformism.

Well, as good and neat Kyoto Fantasy Troupe’s anime is, I still think Memories of Phantasm still have its word. The lighter and more accessible tone, along with better mastered art clearly act in its favour. So, my folks, no. It is not superior to Memories of Phantasm, even with its own questionable artistic choices (mainly for Episode 6, as I consider it way too cartooney). Artistic choices and elements that you choose to include don’t make everything. Don’t forget we’re talking about Touhou derivative works, not your average TV programme that a network purchased to be aired on a given time slot. It’s all about alchemy. An alchemy that works regardless of what you put and how you’re doing it. I guess it has something to do with the soul that is blown into it. I really wish some fine/amateur animators and MMDers could take that into consideration rather than following crowds and trends. Maybe it’s just a question of open-mindedness… or I’m just going too far with my reflection (we’re just talking about a small self-product OVA).

In any ways, I heartily recommend it, especially if you’re not fan of the cartooney aspect of Memories of Phantasm and want something more “mature”, less childish to watch, something that can bring actual reflection rather than amusement. The gorgeous art is really what strikes the most in it.

Okay, a final thought…

Well, one of the anime’s weakness doesn’t reside in the sold product actually but rather in the circle’s own communication strategy. They clearly have lot of work to do on that domain. If you compare Kyoto Fantasy Troupe’s blog to Manpuku Jinja’s one, differences are striking. It looks like KFT doesn’t like giving too much info or leaking too much material. The problem is that it prevents the future viewer of being aware of how the final product will look like. Sure we had come sketches early in development, 3 trailers and some animated GIFs later but that’s all we had, really. It looks like the circle is a bit too discreet in my taste. They clearly need to work on their advertising.

Okay, I think I’m done now. I hope my review wasn’t too long or boring. If I actually made you want to buy this, it means that I did my job well and that the circle could take inspiration from it and think about what they should say from what they shouldn’t. Thank you for your reading. I really wish the circle good luck for the future.

Leave a Reply

Your email address will not be published. Required fields are marked *